Using this technique in Ableton, he can show Jason his melodic ideas for the song using the singer’s voice. Waves Tune instantly transposes whatever note is coming into it to match the note he’s playing. Then, as he plays back the track with Jason’s vocals, he changes the melody by pressing keys on his MIDI controller. He inserts Waves Tune Real-Time on the vocal track and clicks on the Target Pitch button, which sets it to receive incoming MIDI notes. Ill Factor sends the MIDI (routing highlighted) into an instance of Waves Tune Real-Time that’s inserted on the vocal track. In Ableton Live, ill Factor creates a MIDI track and sets its output to the track called Ruff Vox, and once he does, the inputs for Waves Tune Real-Time show up right underneath, and he selects the Channel 1 input. The idea is to route MIDI input into the pitch-correction plug-in, which you’ve inserted on the vocal track to enhance your autotune. He’s working in Ableton Live, but this technique should work in any DAW, although the setup may differ, depending on the program. He points out that you could also use other pitch-correction plug-ins that recognize incoming MIDI-for example, Antares Autotune Pro. Ill Factor wants to try out some ideas he has for tweaking some of them, and he’ll be using Waves Tune Real-Time’s MIDI input feature to do so. Up and Down in AbletonĪt this point in the production, Jared has recorded a number of melodic possibilities for the lead vocal and autotune. In the excerpt, ill Factor shows a cool trick for experimenting with different melodic ideas. The third installment of Start to Finish: Ill Factor - Episode 3 - Introducing Jared Evan finds ill Factor and Jared working on ideas for the melody of the song they’re writing.
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